Poet of the Elephant House
The Autumn Man Your Mind is Bigger Than all Scrap
La favola del pennello/ The Tree Lover in the land of the cranes/ Historia
I think of myself - and the left Freedom Calf Jasper Hiding behind the camera The Zone
|
![]() |
|||
| Jasper | |||
| Sweden, 2005, 18 min, 35 mm, colour, 1:1.85 | |||
| Director: Mårten Barkvall | |||
| Two men roll a barrel through a desolate and hostile landscape. With them they carry communication equipment with which they attempt to make contact with other civilisations, another life. But the reception is poor and thus they seek higher ground. |
| www.bokomotiv.se/jasper | |||
| Cast | Jonas Larsson, Thomas Hultgren, Mimmi Peedu, Johan Bössman, Marie Ahl, Aja Rodas-Evrén, Harry Achilles | ||
| Director | Mårten Barkvall | ||
| Screenplay | Mårten Barkvall, Jenny Fuxe | ||
| Producer | Freddy Olsson | ||
| Director of photography | Tobias Höiem-Flyckt | ||
| Focus puller/loader | Astrid Junker | ||
| Gaffer | José Figueroa | ||
| Music | Erik Wedin | ||
| Production design/ costume | Senem Yazan | ||
| Sound design | Manne Björkman | ||
| Digital effects | Tove Blomgren, Mattias Henningsson Jönsson, Erik Gullstrand, Oskar Sjödin | ||
| Sound | Jesper van Dongen, Kim Pettersson, Rickard Berglind, Martin Olofsson | ||
| Sound assistant | Einar Haugen | ||
| Make up | Angelica Ekeberg, Jessica Ranefall, Johanna Heinonen | ||
| Props | Didrik Rudling, CJ Nyh | ||
| 1st assistant director | Jenny Fuxe | ||
| 2nd assistant director | Petter Lindblad | ||
| Continuity | Sofia Björklund | ||
| Production manager | Sara Nordlund | ||
| Production assistents | Andres Villarreal, Mari Yngvesson, Karel Keim | ||
| Production design assistants | Lovisa Svensson, Zebastian Larsson | ||
| Stund coordinator | Johan Ranner | ||
| Catering | Ann Barkvall | ||
| Sound mix | Owe Svensson/Studio 24 | ||
| Laboratory | Filmteknik | ||
| Film scanner | Jan Lundkvist | ||
| Colour grader | Ulf Nordin | ||
| Produced by Bokomotiv - De Geer & Olsson AB and School of Film Directing, Gothenburg university. | |||
Two men roll a barrel through a desolate and hostile landscape. With them they carry communication equipment with which they attempt to make contact with other civilisations, another life. But the reception is poor and thus they seek higher ground. They travel through a gloomy, barren world with the hope of a better life seemingly never more distant. “Jasper” is set in an unknown time and an unknown place, a story of an absurd world. The ambition to continuously strive for new goals is both a blessing and a curse. For whom are we striving and what do we think we will achieve when we are done? With its minimalitic dialogue and grandiose pictures “Jasper” is as much an experience and a sentiment as it is a narrative. One should therefore not so much look for answers rather be inspired by one’s own assosciations and thoughts concerning that which the themes try to express about life and one’s emotional state in today’s society. A society that is mostly defi ned by self-fullfi llment and the fear of failing in that quest. To be unable to fullfi l one’s own demands as well as others. We look for a purpose and when we fail to fi nd it we turn to the hope that the answer lies in tomorrow. | |||